The spring open house at Bedlam Farm was a couple of weeks ago, Jon Katz and Maria Wulf’s generous semi-annual sharing of their farm and lifestyle with fans, animal lovers, other artisans, and curiosity seekers. I’ve been to three of these now, with gathering interest and meaning, and what I think you could fairly call genuine community building. Jon instigated a creative group using social media some years ago with the idea that the creative itch so many possess is never realized for fear of reprisal. He basically made a safe place for people to exchange support for the creative habit; there is no room for destructive criticism, and the little of that to emerge has been banished from the kingdom in short order. So much beauty has unfolded from the group in the intervening years since its inception: artistic triumphs, some jolly good failures, and several contributors have realized their first professional creative work for the first time ever from within the group’s fold.
Breakfast at Roundhouse Café, Cambridge, New York
Probably the most exciting thing to come of it though, speaking only for myself, is the opportunity to finally meet so many of these creative and thoughtful people face to face. It happens at Jon and Maria’s to be sure, but the Bedlam Farm bug has pushed beyond its boundaries to include gatherings at the Roundhouse Café in Cambridge, an evening barbecue at the Granville home of a “Farmie” photographer and blogger, and creative workshops, to say nothing of new virtual friendships and collaborations via the World Wide Web, and just plain friendships that have nothing to do with the group. Many in fact are good virtual friends, and now some of us are in-the-flesh friends. The open house is an occasion for those giddy connections to be realized for the first time, and it is a joy to see.
Red at Roundhouse
Jon’s Border Collie Red is an amazing creature, and that is all. I never tire of watching him do the work he is driven to do, nor of Jon’s telling of that story to the focused crowds who gather under the enormous tree at the paddock gate to hear it. This time there was Fate, the new puppy whose arrival so many of us followed in the days and weeks leading to the open house; there was understandably much anticipation and excitement to see her. She demonstrated a beautiful and accommodating temperament and work ethic and will grow into a brilliant herding dog, I am sure. Still, I am drawn to Red for his maturity and serious demeanor, matched only by his generosity and affection. I am always struck by his intelligence and now also by his tolerance for a young interloper. They each seem to understand the new world order and comply willingly with it.
Poet Doug Anderson, Jon
Kate Rantilla, who understands how I feel about poetry
I’ve been paying closer attention to the open house poetry readings. It’s hard for me. I’ve never been drawn to poetry the way so many are, never attempted to write it unless I had to, and in my prep school and undergrad years tolerated it through the lens of academia, where I always felt I was the last one to catch on. And once the authentic meaning of a stanza was finally revealed, it seemed brilliantly clear. So it was a lesson in humiliation for me, and left me feeling flawed. Prose was always my friend, and felt satisfying to me: we’re drawn to our strengths. Listening to artists from varied backgrounds read their work has been a push in the past; this time something was different. Maybe it’s a sign of personal growth, and that itself is a small triumph. I love that it was Mary Kellogg’s work in particular to serve as the impetus for the start of the creative group; I finally had an accidental and joyous encounter with her in Maria’s studio. She is hugely inspiring and it is no wonder Jon is so smitten with her.
Mary Kellogg with Jon
Jon Katz’ words are enriching, disturbing, funny, inspiring. He has taken a beating for his position on animals and their place in the lives of people, and for speaking his mind loud and clear. It takes courage. I’ve been there but in a different arena. A wise person once observed, the instant you raise your head above the throng to do a worthwhile thing, people will take shots at it. This is the truth. I’ve experienced it a couple of times, have watched others close to me experience the same. Mainly I shrink from controversy. (Mainly.) The Bedlam Farm takeaway for me is a deeper understanding of the relationship between farmers and animals, and the disconnect for most of the rest of us, who possess only a tiny shred of understanding—if that, even—of animals’ place in the firmament.
Mostly I walk away from Jon and Maria’s feeling enriched. I’d never have heard of the New York City carriage horse controversy were it not for his deep involvement in it, nor of a local farmer whose unrelenting (and unjustifiable) pursuit by local authorities has made recent headlines in these parts, nor of acclaimed photographer George Forss, nor poet Doug Anderson. Nor would I see Maria’s beautiful textiles firsthand, to say nothing of the other participating artists. It’s all part and parcel of an open house weekend at Bedlam Farm.
The next step for me is the fall workshop ahead of the October open house. I’m taking Jon’s classes on writing and blogging, and I welcome his criticism; I count myself lucky to write for a living, and I want to improve my chops. Ballet has been my world for most of my life, and it can be cruel: you really have to learn to take it on the chin, and there is no hiding in a roomful of mirrors. I think I took that ethic with me to school—academic school—where I always appreciated a paper that came back to me marked up in red. It’s how we become better, stronger writers. In this age of entitlement, it’s a lost value; too bad for an entire generation (or more). I’m also planning to attend the photography leg of the workshop, where I will be on the bottommost rung of a very tall ladder. I know nothing, as you can see here. Tabula rasa. I want to learn, and have until October to find a camera.
Bedlam Farm takeaways. The Katz effect. Personal growth. In a few months I’ll let you know how it all turns out.