Broadway is the main drag in downtown Saratoga Springs, New York, a smallish upstate city with a distinctly urban feel and an appealing quirkiness that defines so many downtown districts coming into their own after a period of modern-day decline. A city with so much going for it—named for the mineral water that flows beneath it, possessing bragging rights to a Thoroughbred racing legacy reaching back to the Civil War, to say nothing of its art and culture (it’s been New York City Ballet’s summer home for decades)—can surely survive any old decline short of a post-apocalyptic zombie invasion.
And so it seems she will. The historic Adelphi Hotel built on Broadway in 1877 is slated to reopen this summer after a long renovation. Give me any structure with a past worth revisiting and I’m in—I’ll probably never patronize the Adelphi except perhaps for a cocktail sometime or other. But now I own a little piece of it.
Yesterday Handsome Chef Boyfriend and I spent a pleasant while in a nondescript Clifton Park, NY warehouse fingering the remnants of the historic Adelphi at the everything’s-gotta-go tag sale. The first sale was some five years ago, when the hotel’s new investors bought the crumbling grand dame, “the last surviving hotel from the 19th century,” goes the Wiki entry. We suspect these were the leftovers siphoned off in a single lot to an estate liquidator, the picked-over artifacts after the ‘good’ stuff was gone. We were hopeful but realistic.
What we found after browsing the mostly boring modern commercial kitchenware was no less than magical, a treasure trove of artwork with stories to tell. Some of it surely hung on the walls in the Adelphi’s common areas, some probably in the guest rooms. Most of it was in bad shape, every stitch of it spoke to me through broken glass and dismembered picture frames. I can only guess what must have gone before it, but these tattered scraps held so much appeal.
That last one followed me home—how could I say no? It will need some revitalization and shall have it in due course. I wanted the one above it, too, but together the two of them exceeded my paltry, self-imposed budget. Plus, I had to have a little Blue Willow. A woman behind me asked why I was not getting both pictures and I said I was finished, but went on to explain to her how the image perfectly captured the provenance of the movement that still defines classical ballet today. She bought the picture for herself. And HCB found himself salt and pepper shakers to add to his burgeoning collection.
Our parents serve as eternal reminders of every ‘cute’ thing we said and did in childhood, however stridently we might wish to forget: it’s a parenting privilege. I find myself doing it to my own twenty-something these days, even across the miles that separate us. I need my bref-kass, I mutter in the early morning hours to no one in particular, channeling his misinterpretation of the word breakfast when he was two. The language wire so comically crossed in his noggin stayed that way for years, rerouted by a speech pathologist just in time for middle school. (His peers will slaughter him next year, had come the peremptory warning from the elementary school principal.) I missed that little glitch when it was finally gone. Parenting privilege.
In my own early childhood, it was the post-kindergarten report: how was your first day of school, my parents wanted to know?
I loved school, could not wait to go, and continued to love it mainly, save a couple of ‘prime suffering years’ during adolescence, as a beloved fictional character might say. On the first day of kindergarten, though, my enthusiastic response evidently went something like this: “Today I made some new REAL friends!” Hilarity ensued.
It’s not an exceptional first day report, really, except for the emphasis. Even at five I clearly possessed some awareness of the distinction between casual acquaintance and friend, I think, however rudimentary.
Friendship is work, going both ways. Like anything worthwhile, it requires regular care and upkeep; neglect it and it languishes. When friendship feels effortless (it is never truly effortless), that’s proof positive of good chemistry. At least that’s how I view it.
When the planets in one’s life begin to misalign, when the glue that holds together the firmament dries and cracks and begins to flake away, the joy of a friendship transforms into hard labor. That’s a heavy yoke for a friend to bear—at least, if the burden persists beyond some decent interval of time. The last few years I lived in Tennessee I think I had grown too difficult for some of the people around me, some of my real friends—too high-maintenance, if you will, and at times even insufferable. I remain forever grateful to a particular few who stuck it out with me, when it felt like the effort had flowed mainly one way for too long.
There is a simpler piece to friendship, though, and that is time, a luxury I took for granted for years. My friends and I were lucky, even sheltered, tucked away in a beautiful, prosperous community, held together with common values to be sure, but mainly our children. I can’t speak for any of them now, but I was short-sighted. I never anticipated a future when the luxury of time would evaporate, when our lives would grow more complicated, when geography and divergent interests would conspire to separate us: I assumed there would always be lunch on the occasional Friday afternoon, or dinner on a weeknight, or Shakespeare on the Squarewith bag chairs and a picnic in summer.
It also never dawned on me, poised as I was to start life anew in a place far removed from my family and friends, the impossibility of repotting those plants. (To be fair, I was focused on survival.) The reality is, when you no longer have church—however that looks—or community to unite you with others of your ilk, you will come up empty handed. Add to that a life bereft of the luxury of time, and you can forget about fostering anything more than a few casual acquaintances in a place that still does not feel like home.
But casual acquaintances have a way of morphing into real friendships, and therein lies salvation. So many significant friendships start this way: with rare exception, I’m hard pressed to define a specific point in time where the connections in my life crossed the threshold from casual to real.
Meanwhile I imagine a point on the horizon when I once again possess the luxury of time for friends. We’ll meet for lunch or dinner to talk about a shared experience for far too long—we might even shut down the little noodle eatery in Union Square at 11pm, forced to finish our conversation back at my Manhattan rental until almost dawn, because there is still so much to say. Or I’ll admire my friend’s most recent creation (she is gifted); I’ll finger the landscape on a piece of her pottery and tell her I love the blue glaze, her latest textile work will inspire me and I’ll lament for the umpteenth time how I can’t do anything with my hands, and my friend will wave it off like it’s nothing. Or my friend and I will talk about how hard it is to recognize the right moment to step away and watch an adult child suffer, or know when to step in and help. Or we’ll fiddle with our cameras and talk about apertures and my friend will know much more than I and I’ll feebly follow along as best I can and try to learn; but we’ll finish with chocolate dessert, which always makes everything better. Or we’ll stay on the phone for far too long speaking a language nobody else understands, the language of ballet divas, but he is from the South like me and so we have this extra layer of camaraderie, and we’ll channel our best French-Southern ballet-speak and explode in laughter and agree as our phones die we need to talk more often.
I’ll do all these things again with my real friends.
We really did miss out on spring, dang it. Winter held fast, and then fought tooth and nail before it finally relented sometime a couple of weeks ago. There were fair weather days here and there; they were but an illusion, some atmospheric sleight of hand at work, wicked trickery you might call it. And now we’ve arrived at summer full blown. I miss the changing of the seasons.
After Saturday morning doings we struck out on errands and found a little fun. Part I: our favorite farm stand opened at long last, a springtime box finally ticked. One hopes for a long growing season and exquisite bounty. For now it is slim pickings, but pickings nonetheless and a crowd of folks as desperate as we to get their hands on it—our little home garden is only just sprouting.
My struggle to bring images into focus in low light with limited equipment and expertise seems oddly appropriate since the bounty of the season remains blurry at best. An extreme example at this little eatery where we had lunch, Part II:
See that pale thing on the plate? That is no tomato (and a certain chef suggested it should never have found its way out of the kitchen to begin with). This is a tomato:
Saturday Part III was all about time travel, my idea.
Eventually the din grew too loud to bear, all those stories clamoring to be told. And there is only so much Swiss dot milk glass one can stomach in a single Saturday.
An earnest young man named Tristan called me Wednesday night on behalf of the University of Tennessee’s Arts and Sciences Annual Telefund, he said. I found a mailer from my alma mater in the P.O. box last week, so I knew this was coming and already planned to give. Perfect timing, this call, as I was sitting on the sofa after work doing mainly nothing except unwind with the news and a glass of wine in hand. It’s somehow reassuring that the familiar ‘974’ exchange still belongs to UT—I knew exactly who it was.
Last year I gave the student solicitor an earful of unsolicited advice. He may have caught me at a bad moment, I can’t recall. But I do remember thinking, if you’re intercepting my down time like this then you’ll hear a few words for my trouble. I asked him about his major (business). I said, go take English. No, wait. Go take English literature. You’ll need the writing skills, even if you think you won’t in whatever professional life you anticipate on the outside.
To his credit, he was polite and reverential, and admitted writing was not his strongest suit, that his dad helped proofread his college papers even now. I gave him some names, which he said he was taking down. For all I know he was making a note on my Permanent Record, This one is a whack job.
Poor Tristan: he was brave enough to dial me up even with that red flag flying.
I exercised more self-restraint with this young man. He asked how I got to Vermont from Tennessee. Long story, I said, involving an awful divorce. I’ll spare you the details. Fair enough, but if I may ask, he persisted, can you tell me how you’ve used your degree in anthropology?
The short answer, I told him, is not at all. The longer and more truthful one goes like this: my degree helped me survive at a moment in time when I thought I might not, because all those classes in anthropology and other disciplines conspired to help make me a stronger writer. It is how I earn my keep these days, writing and editing digital copy for a burgeoning marketing agency here in Vermont.
Ah, said Tristan: so you moved to Vermont to work for a marketing agency?
No, I told him, I moved to Vermont to teach ballet. I have spent much of my life immersed in classical ballet, but that is a story for another day.
He understood, he said, and would not take any more of my time. He told me he was from Michigan, enjoys his life as a UT student, and knows Vermont because he comes here in winter to ski; it is a beautiful corner of the world, we agreed. Then he ticked off a list of recent improvements to campus and insisted “without the support of alumnae like you” they would be impossible (now he was reading from a script). Have you visited campus lately?
Two summers ago, I said, I drove through.
Did you know they’re tearing down Presidential? (He is no longer reading.) It’s about damn time, I said: I lived in one of those brutalist high-rise buildings as a freshman and remember it only as a noisy and impersonal assault to the senses. We both laughed. Seriously, he said—you should come see it—there’s only a huge pile of rubble now.
I’d like that, Tristan; maybe this summer. I asked him to make my gift to the Anthropology Endowment in honor of one Charles Faulkner, professor emeritus. He thanked me and said goodnight.
To my unrelenting desire to dance Mouse King in somebody’s Nutcracker, I think I’ll add, deliver a college commencement speech. I have a much better shot at Mouse King because some small civic ballet company somewhere might actually find itself desperate for one, although I may be too short to fill those shoes. But I’ll never give a commencement address because I lack the other kind of stature: fame and notoriety. Still, I have so much to say.
My chat with Tristan got me thinking about the varied chapters of my life so far, and the impossibility of connecting the dots that will define the rest of one’s life when one is only just graduating from college. I wish somebody had explained this to me when I was Tristan’s age—connecting those dots is an exercise in futility, and anyway it doesn’t matter. Standing there in your cap and gown, giddy with your accomplishments thus far, you have no way of knowing what lies ahead. If you chose a career for which specialized training was essential—you’ll practice law, or medicine, for example—it’s not unreasonable to expect some pieces to fall into place as you imagined they might.
But most people I knew when I stood on that threshold were still putting together the pieces. I dealt with my own uncertainty by postponing decision making for a while, plowing headlong into graduate school with leftover undergrad momentum. I was married by then, and a surprise adoption changed my plans near the end of my coursework, a plot twist I found delightful and challenging in its own right. Full-time parent of a difficult child: it was not in the blueprint (by then I had zeroed in on a few career possibilities, none ever realized as fate would have it). Nor could I have predicted returning full time to classical ballet as a teacher might insinuate itself into the child rearing landscape (I forgot to tell young Tristan I used anthropology every day of the week in the ballet classroom, giving my students lessons in anatomy with a full-size anatomical skeleton—who knew coursework in human osteology would prove helpful in the ballet studio?).
Nor could I imagine that in the space of only a few months it would all vanish: a comfortable, settled, affluent lifestyle a couple of decades in the make completely gone. Gone.
Nobody gets through life without a few curve balls, maybe even a direct hit to the noggin once in a while. But what do you do when somebody yanks the rug out from under you wholesale?
At first, you gnash your teeth and wail and lash out at the universe: you need answers—why is this happening to me? The universe is strangely quiet. When you tire of waiting, you finally blow your nose and sweep your greying hair out of your face, push up your sleeves, and get to work. Next comes the hard part: you may suffer a little humiliation while you’re figuring out Plan B. And Plan C, D, or even Plan E…. But this exercise is so much better than the alternative, after all. And anyway,you have no choice.
When I was puzzling through a squirrelly child-rearing problem years ago, a wise friend reminded me to use past behavior to predict future behavior. Superimpose this idea on life’s bigger mysteries, and you get something like this: use past successes to predict future successes. Your package of skills helped you accomplish much: now use them to accomplish something more, even if the shape of that thing, whatever it is—could be writing for a marketing agency, who knows?—remains out of focus for now. The not-knowing is anguishing, to be sure. But uncertainty holds the promise of possibilities.
My commencement speech would go something like that. I’d also urge my young listeners to keep an open mind and take advantage of opportunities when they pop up, even if they look different than you thought they might. And when you make poor choices, I’d tell them, admit your mistakes, chalk them up to personal growth, and move on. Learn how to apologize if the situation calls for it. And never say ‘no problem’ when somebody says, ‘thank you.’
All the television news outlets have been airing mash-up reels of commencement speeches lately, famous folk standing becapped-and-gowned at the podium, a few notorious ones, advising hopeful throngs of the newly-degreed on this special occasion that for many marks the transition into adulthood, or ‘the real world,’ anyway. Because I’m such a fan of fifth grade humor the one who speaks loudest to me is Will Farrell, a fearless performer who had the audacity to channel Whitney Huston’s standard, I Will Always Love You, to a hopeful crowd of University of Southern California grads. It was a cringe-worthy performance they’ll forever remember. I’ve never been a Will Farrell devotee, but give me a little irreverent humor on a solemn occasion and I’m in (anybody who lacks humor is suspicious in my book). He was nothing if not earnest, like the young man who called me the other night. And in moments of seriousness, he was credible. It was a perfect sendoff, full of hope and possibilities. I leave you with the juiciest morsel.
To those of you graduates sitting out there who have a pretty good idea of what you’d like to do with your life, congratulations. For many of you who maybe don’t have it all figured out, it’s okay. That’s the same chair that I sat in. Enjoy the process of your search without succumbing to the pressure of the result. Trust your gut, keep throwing darts at the dartboard. Don’t listen to the critics and you will figure it out.—Will Farrell, 2017
I know exactly nothing about Buddhism, but my friend Jill does. That’s her beautiful daughter in the photo up there, standing next to former American Ballet Theatre principal ballerina Julie Kent, perhaps a little star struck. Dukkha, she explained, is the Buddhist concept of suffering, with an asterisk: it’s thought to have been mistranslated as actual suffering, when what it really means is thinking you’re suffering when you’re only inconvenienced or slightly unsatisfied. Like getting the grocery cart with the bockety wheel on it, and now you’ll spend the next half hour fighting the grocery cart around the store.
Annoying, perhaps, but suffering? You still have the privilege of browsing well stocked shelves of food which you will buy and then go home and enjoy, a privilege most Americans take for granted, anyway. You probably won’t spend too much time worrying about whether you’ve gotten the nutrients you needed today, while somewhere on the globe there’s no clean water to drink.
The Buddhists, Jill went on, maintain we add ‘extra’ to our dukkha by imagining our lives would finally be perfect if only we could accomplish <missing thing>. We’ve all experienced this, haven’t we?
In fact I’ve honed it to a lustrous sheen over the last five years of transition. There were plenty of sleepless nights at first, and no small amount of hand wringing and nail biting and wondering what would happen if and when the bank account was empty: these are the things that spawn action. There was genuine anguish to be sure, but probably never actual suffering. And my own landscape now is downright pastoral by comparison, a green hill dotted by black-faced sheep, and the occasional bockety wheel to keep me honest.
Seems that beautiful little ballerina up there, my erstwhile Knoxville Ballet School student, is North Carolina bound, finally getting her wish to enroll in full-time residential ballet school. I could not be happier nor prouder. It’s no small thing: Celia sailed over the talent hurdle, clearing it easily, the academic one a mere formality (quoting my beloved mentor: you can’t be dumb and dance). She has leapt into the world of pre-professional ballet training: the rest is up to her.
Hat tip to her devoted parents, who are moving heaven and earth (and experiencing no small amount of dukkha) to make this happen for their daughter, who by all accounts is giddy, as anybody in those pointe shoes would be.
Her mom explained the ‘extra’ she’s added to her own dukkha in all this is wishing she and her family had moved from Tennessee to North Carolina a few years ago, when they were actually considering it. But because this is an exercise in futility, she continued, she’s moving past it. She went on to list all the positives of this exciting new development, bockety wheels be damned.
There is food in the pantry and a dog dreaming on the floor—in Tennessee and in Vermont—and soon a Knoxville girl will enjoy complete classical ballet immersion in North Carolina: that’s close enough to paradise.
About a year or so ago my sister-in-law back ‘home’ in Tennessee observed an endearing habit in my brother. From an adjoining room she could hear him plunking out something on a computer keyboard. Only he was not typing the way somebody, you know, normal, would: his technique was more like firing off a weapon with each keystroke, with a final cannon shot for each period: pow! pow! pow! BOOM! It made her giggle.
Yep, I said, it comes from dad. I don’t know how I know this: I don’t have an explicit memory of dad typing this way, but he must’ve at some point. He has hands you could describe as athletic, I think, long, muscular digits with rounded fingertips. My brother has the same hands, and so do I. And not long after my sister-in-law observed my brother’s explosive typing habit, I realized I possess precisely the same disposition when it comes to typing. Nature or nurture—who knows? It’s clear the proverbial apples did not fall far from the tree.
I’m hard on keyboards, but I figure that falls comfortably and justifiably within the domain of a writer. I’m already on my second one in a tenure just under three years at the digital marketing agency where I work, which is also where I confirmed the typing technique lineage I already suspected: on a quiet afternoon (you could hear a pin drop) I realized the loudest noise in our becubicled open space was the sound coming from my fingertips. Bam-bam-bam-bam-BAM-bam-bam-bam! Over time I also realized the most percussive keystrokes occurred when I was trying hard to make a point—in a piece of correspondence, in content I was writing for a client, even in mere frustration after making the same stupid typo three times in a row—CAPITAL G, dammit! Pow! Somehow banging the keyboard extra hard seems meaningful and necessary, or cathartic at least. Maybe it’s simply passive aggression, I don’t know.
The reader can discern no proof of emphatic typing at the other end of an email, nor can the e-commerce consumer parsing through a product description or blog post. Once upon a time, gentle reader, the typewritten page might indeed have revealed the vigor of a keystroke, with inky letters imprinted deeply on a fibrous page like some ancient rune in bas relief. You could flip the page over and feel the words through the other side; I remember this phenomenon from any number of prep school papers I churned out in my youth.
The Anthropology Department at the University of Tennessee lies within the bowels of Neyland Stadium, in a long, curvilinear corridor that follows the exact contours of the stadium itself. It was still the men’s athletic dorm when my dad was a student there in the 1960s; the tiny dorm rooms were later pressed into service as anthropology professors’ offices, classrooms, and even laboratories. On any fall weekday afternoon during class one could hear the muted sounds of the Pride of the Southland Marching Band practicing on the field above
When I was clocking countless hours as an anthropology major there in the 1990s (and even a few a bit later as a graduate student in city planning), one could also hear the telltale percussive strikes of a manual typewriter issuing forth from a particular office filled to the brim with books, journals, files, and stacks upon stacks of papers: the beloved professor and mentor who sat behind the old desk in that office stubbornly refused to transition to the digital age when most of his colleagues had long abandoned the analog world (more recently he has relented)—I found this tenacity one of his most endearing habits among many when I was his student. That loud clackety-clack-clack reverberating through the department was reassuring: Dr. Faulkner is in the house.
I can’t say I miss the typewriter, however romantic it may seem as viewed through the lens of nostalgia, at least not in the way I sometimes miss the old-fashioned vinyl LPs that digital music plowed under decades ago. I could easily hop back on that bandwagon, as others have. But the typewriter’s limitations are simply too dramatic as held up against the word processor, and that gap widens all the time. I’d even wager our advancing digital devices may hasten our evolution as a species, outpacing any decent interval Darwin himself could have imagined (it’s a shaky assertion, I know).
Underscoring an important point—in the era of the typewriter and now—demands a classical command of the language, though, with judicious use of italics or bold-face type thrown in for good measure: doesn’t make a difference how hard you bang out your thoughts on the keyboard, as I am doing now. Either you know how to express them on ‘paper,’ or you don’t.
My devices at home are failing. My old Gateway laptop I procured just after I came to Vermont in 2012 is falling apart a piece at a time: it has given me almost five years of excellent service, and I paid nothing for it—old credit card thank-you points stepped in during a crisis, no complaints here. Back in the winter I bought a wireless mouse to make working from home a little easier (lots of tabs open at once, lots of clicking back and forth between them, but without the luxury of the two large desktop monitors I have at the office). And after I made that leap, my laptop mouse pad quietly died, almost as if it had withered from neglect before finally giving up. I felt a little bad about that.
More recently I realized the keyboard itself was on its last leg when the spring under the space bar broke on one end (the end that bears a visible thumb-shaped dip in the black plastic); the action on the other end remained intact, forcing me somehow into another quadrant of my brain when I typed. It was an awkward transition at best, but I made it work. A couple of other keys—important ones—threatened to fail, too: one simply cannot live without the commanding and affirming delete, backspace, and enter keys. And then last weekend the space bar finally gave up the ghost completely. I could lightly tap it and it still responded, sort of, but I worried it might decide to just keep on going when I touched it, reducing my writing to infinite empty space and no way to stop it. (In space, no one can hear you scream.) So I found a wireless keyboard to use for the time being, until I have time to browse for the perfect replacement laptop. This means my laptop is now effectively a desktop: I’m tethered to my desk if I want to write, just like I was in the analog age. (And anyway, my battery’s shot, too: I must stay plugged in all the time now.)
My shiny, new wireless keyboard is compact but fully loaded; I kicked the tires when I was looking, and the ad suggested it was made for people like me, slackers trying to squeeze blood out of a turnip. I paid almost nothing for it, which makes it sweeter still, of course. I think this proclivity to keep on going with the same old equipment fairly aligns me with my beloved anthropology professor.
Best of all, though, the keys are springy and loud, almost like an old typewriter keyboard—a very smart typewriter. BOOM! Anything for a good literary device.
Live your life, live your life, live your life.—Maurice Sendak
It’s Mother’s Day, a Hallmark-y holiday. Flowers will be dispensed, brunches eaten, and everywhere priests will stand at the pulpit and spin out sermons on the importance of mothers for the umpteenth time; they’ll repeat them next month but insert the word “fathers.”
I had a call from my twenty-something man-child early, early this morning—a video chat, because that’s how it’s done these days. He couldn’t sleep last night, he said. He is carless at the moment, and so he had spent hours looking at ads on craigslist. He was so tired he could lick the walls, he told me, but still could not fall asleep this morning. I said I had no idea what that expression means and we both giggled. And anyway, he went on, if I fall asleep now I’ll be wide awake at ten tonight. It’s no good. I just need to go find food.
Off you go, then, I told him.
Happy mother’s day—I love you, he said.
We’ll probably chat a couple more times before the day is over, unless he sleeps it away.
We are thick as thieves in spite of some mountains and valleys between us. He has figured out with impressive exactitude the instant I’m likely to pull into the driveway on weekdays—it’s almost like he can sense it somehow, even when my schedule is a little off. The phone on the passenger seat next to me lights up and chirps its familiar chirp, the one that says Hey-from-a-thousand-miles, pick up already.
And we are thick as thieves now in spite of the uncertain landscape five years ago, when I lived alone for a final difficult year in our big, old, Tudor Revival-style house in Knoxville, the house where he grew up, and where our family was coming unglued before our eyes. When the new world order emerged at the start of that year, I explained to my then-teenager he needed to go and live with his dad in a neighborhood just down the road, for so many complicated reasons: I tried to make them clear. It was late, I was tucked into bed (still on my side of it, the other side only recently empty); he was sitting cross-legged at the foot of it practically on my feet, like he might have done when he was five. We had a hard conversation.
During those long, empty nights the Blackberry sometimes chirped on my nightstand and often at odd hours. It was never bad news, just a heads up at an inappropriate moment: hey mom, I’m coming over to the house to get <thing>. <Person> is with me, but he’ll wait in the car so the dog won’t freak out.
Soon the car—his late grandparents’ Caddy that was his for the time being—would idle in the driveway just below the master bedroom window, and not long after I’d smell the stink, the secondhand tobacco smoke he now carried around with him on his clothing and person, and hear the death-rattle cough in a kid too young to sound so old. No telling where he had been nor where he was going in the late-night or pre-dawn hours. There was so much profound sadness wrapped up in these occasions I can still feel it now. (And I will forever associate the Blackberry ringtone with it.)
A few years earlier there was still a palpable tether between us. MOM! came crackling from a high-again low-again adolescent male voice, often followed by Where is my—, more a demand than a question.
And before that: Mommy! I need—, always delivered with a sense of urgency. I could not have imagined a time would come when I’d simply have to give in to worry and grief about the life choices this child was making; I could feel my bones beginning to age.
A day many years earlier found me sitting comfortably cross-legged on the floor with a toddler in my lap, in a playroom loft that would delight any child—a long, narrow, cocoon-like room with sloping cornmeal yellow walls meeting its flat ceiling, walls that follow the contours of the steeply pitched roof on the other side of it, a room warmed by the radiant heat in the slate roof tiles, a Hobbit-like space proportioned and cheerfully outfitted for a little person. The toddler surveys the raised highway we’ve built from an exquisite wood block set my Uncle Stan sent us, Matchbox cars in mid-commute, a few highway tragedies piled below it, while across town some cars are parked in front of the ice cream parlor, blissfully unaware of the carnage.
Our minuscule village is awash in the dappled sunlight filtering through tall trees just outside the big window on the gable end of the house. The toddler has a pacifier in his mouth—a “binky,” which he’s sucking furiously—loudly—deep in thought with furrowed brow, clutching a second binky in his tiny toddler hand which is lifted to rub against the tip of his nose. It is an endearing habit he will retain for a long time. If one of three big dogs happens to saunter through the room and upset the highway, the toddler will bellow gleefully at the calamity.
Meanwhile he tumbles out of my lap to improve some bit of highway infrastructure, muttering an observation through the binky still held tightly in his teeth in language sometimes only I can understand. Standing in the checkout line of a big box retailer a cheeky old woman will soon lecture me about allowing the little boy on my hip to suck on one of those things, they’re terrible for teeth, she should know, her husband’s a dentist. For once words will not escape me: I’ll square my shoulders and quip, Well you and he should be thankful for ignorant moms like me who send generations of business your way.
My child is clean-scrubbed; I’ve plunked him into a soapy bath for a half-hour of calming water play after his sticky, spinach-y lunch, which he was wearing on his face and in his hair a little earlier. Freshly dressed in a stretchy cotton outfit that smells of Dreft, he’ll sit in my lap again while I rock him in the sunny yellow bedroom three steps down from the Matchbox highway loft. Town improvements must wait until we’ve gone exploring with the Wild Things, supplying words for wordless pages—howling at the moon, swinging through the trees, tromping through the woods. There might be a nap set to sweet Celtic lullabies, but I know this child: he will fight sleep and probably win.
The irony of this does not escape me after our earlier conversation today. I was not “finished” with this young man when I left Tennessee for good. But I was also weary—nay, exhausted—and ineffective as a parent near the end: there were not enough restorative naps, for him or for me, to fix our big problems. I was powerless to put him in the tub, or to wash the stale cigarette smoke out of his skin and hair, or scrub the filth under his nails: he had to do it for himself, or not.
Parenting never ends. And sometimes I think I’ve been most effective as a long-distance mom: being available only at the end of an electronic device is a game changer, after all, and underscores the reality that I’m more than a door mat, or a lunch fixer, a changer of diapers, or a supplier of spare change, even though I have been all of those things and continue to be some of them. For too long these things defined most of me while I allowed what remained of me to languish. The day I opened the doors of my small ballet school in Knoxville a wise friend observed, Not a moment too soon. But really, that day actually came several years too late—putting my life on the back burner helped nobody.
The only piece of advice I ever give any new mom is simply this: being a good parent to your child is profoundly important, but never more important than being a good steward to yourself. We finally do what we can for our children, and sometimes that has to be enough.
Some forty years after its publication Bruce Chatwin’s In Patagonia is still considered a pivotal and authoritative piece of travel writing about this 400,000-square-mile South American region. Ferdinand Magellan called the tall aboriginals he encountered there Patagones after a mythic character, it is rumored, hence its name. Straddling two countries and claiming most of a vast mountain range, Patagonia is bounded by the Pacific Ocean to the west, the Atlantic to the east, and all but shakes Antarctica’s hand in its southernmost reaches; precisely where it begins in the north is arguable. My own ‘journey’ there began with a mammoth piece of content I’m writing for a client. But the very idea this delicious-sounding book existed prompted my off-the-clock quest for it.
That, together with a single glowing accomplishment: I managed to nudge my first-generation Kindle out of its long slumber, and after several hours’ worth of uploading no fewer than four system updates, finally pressed it into service once more. I like my old-style Kindle for its satisfying, clicky keyboard—the kind that talks back to you affirmingly—and for its Etch-A-Sketch-like screen that does not tire the eyes and overstimulate the brain at bedtime the way most devices these days do, so the experts say. I pat myself on the back any time I win a battle with technology: this one was measurable, rewarded by the instant, magical download of a new book.
In Patagonia is my favorite kind of writing, one thoughtful, descriptive essay after another, stitched together in a sensible way that takes the reader bumping right along for the ride across the arid steppe. Any gaps in Chatwin’s account he fills with ingenious turns of phrase and the quiet kind of humor that belongs to the English alone; stop paying attention for an instant and you’ll miss it. Chatwin is an exquisite storyteller and that is all, weaving illuminating bits of history throughout the 1970s landscape as he sketches it, staying true to his descriptive narrative style. It is a story we already know, of successful and failed European conquests, of aboriginal tribes whose temperaments vary from heroically savage to comically irreverent, of expats seeking freedom from persecution in the homeland. Europeans of questionable provenance insinuated themselves into this Patagonian landscape centuries ago as alleged princes and kings, so they claimed, bestowing fictional titles on the ‘Amerindian’ natives in exchange for land and wealth: you can convince any tribe of naked drunks to agree to a lopsided deal, went the thinking. Things never seem to work out precisely as one hopes they will; the natives have a way of skewering and roasting you on a spit when they come to and figure out what’s what.
I envy Chatwin’s excursion while my engine idles here in Vermont. Not that I have some unsated wanderlust: the idea of a Patagonia-style sojourn appeals, but I probably lack the constitution for it, to say nothing of the bank account. One thing is certain: my mood always hangs on the promise of what is coming, even if that is unclear. Lately ‘what is coming’ seems to be lollygagging along at an irksome pace, coming to a dead stop now and then to examine some inconsequential weed growing out of a sidewalk crack. (Even this spring’s arrival is maddeningly complicit in this plan, teasing us with minuscule bits of warm sunshine, but mainly handing us damp cold and grey days that linger like a tiresome dinner guest.) I need a trumpet fanfare, or at least some sign of progress where there is none, or so it seems.
Meanwhile, back in the tiny rental house at the end of a mountain road. Where the partial remains of two failed marriages collide with things that belong to someone else, the balance left to languish in storage. Where the kitchen counter doubles as a pantry. Where a single bathroom groans in protest every time a tap is opened. Where a timid dog retreats often to the security his cheerful yellow quilt-covered crate behind a sofa, a crate whose top doubles as an adjunct desk littered with receipts and file folders and Kleenex boxes and other objects—a broken antique sugar dish in a Ziploc bag (another casualty of too-tight quarters); a takeout menu from a local eatery; random USB cables; and a stack of newspapers eager to wrap and box precious possessions yet again. Nothing can be put in its place, for there is no place for the putting.
A thousand miles away from me a twenty-something also idles, waiting for his life to inch forward like Patagonia’s own Perito Moreno in Parque Nacional Los Glaciares, the curious glacier that advances about six feet every day, calving building-sized icebergs into the water around it. Be patient, I urge, reminding him he could be doing things now to nudge his life forward, however glacial its pace seems to this restless young being.
I could heed my own advice in the place where I am treading water now, yearning for permanence and community and walls I don’t mind painting.
My friend Rebecca’s goat Darcy finally had her twins a couple of days ago. Rebecca, whose life and writing and cheese and food and photography are filled with so much inspired beauty. Were I a true Vermonter, I’d want to live like my friend Rebecca and her family, I think. But I believe that is called coveting thy neighbor’s oxen, if memory serves, and it surely applies to their goats, too (never mind that Rebecca and her family live a solid two hours from here: in these parts they still count as neighbors, and anyway I used to live much closer). But I will never achieve the ‘true Vermonter’ milestone measured any way you want to; my life is my life. I still draw inspiration from Rebecca, and from Darcy-the-Goat, who took her sweet time about kidding her twins, “chewing her cud like a bored receptionist chewing her gum,” wrote Rebecca. I think Chatwin and Rebecca must be related. Or maybe Darcy and the Natives.
Things never seem to work out the way one hopes they will, but they finally work out the way they must.
Spring comes to Vermont in fits and starts, coughing and sputtering like an old man in the morning. This year is no exception: the occasional raw, chilly day will spoil any ten-day outlook, just as the gnats do my early morning backyard excursions with Scout. What is the point of a trustworthy dog off leash, a condition that extends one the delicious privilege of a lingering walk with steaming coffee in hand, when one needs both hands to swat away the cloud? Just last week a faraway friend asked whether Vermont gets the black flies Maine has. Yes, but they pale in comparison to a little flesh-eating miscreant known as the deer fly, I opined.
Here is proof positive spring is springing, if it has not yet fully sprung: yesterday I had close encounters with a rawther large, furry spider I felt crawling on my hand just before it met a horrible end within the folds of a shirt; a classic ‘picnic’ ant navigating the contours of my ankle bone; one kamikaze moth in my face; and scores of tiny, miscellaneous flying insects. Poor Scout: I spotted two deer ticks exploring his canine cheeks for fertile ground during our Saturday morning run, pulled another one off a very sensitive part of his anatomy when we got home. Funny that not so long ago we had temps in the single digits: insect life in these parts is nothing if not resilient.
Meanwhile there is no stopping spring: every morning more tender, green foliage emerges from the trees, mercifully softening the landscape and editing out some local scenery we won’t miss all summer long and into the fall. And everywhere are bulbs blooming—daffodils, tulips, iris—and the tiny ferns that will soon carpet the woods, just starting to unfurl (the fiddleheads are a culinary favorite in these parts). A symphony of birdsong greets us at sunrise (woodpeckers on percussion), lingers throughout the day, and crickets chime in later on; cicadas would be nice, but are too smart for winters here. And the hungry, emaciated black bears are awake now, as seen in a trail of garbage strewn willy-nilly at the end of our road one morning last week—they’ll almost certainly be back in the coming days.
Yesterday we took my car through the tunnel for its springtime scrubbing, the annual cleansing away of the caustic chemicals that are part and parcel of winter travel; dad will chide me about this, my lazy car maintenance habits and the once-a-year wash “whether it needs it or not.” Last weekend we took Scout on a short outing to the Mile-Around Woods, where it is finally dry enough to walk without sinking knee deep into muddy trails. We meant to allow him some off-leash romping in a picturesque meadow at the top of the big hill there, but thought better of it when we observed a few others who had beaten us to the punch: it was the first gorgeous spring Sunday and nobody was missing it (Vermonters are fair-weather opportunists of necessity). This could not stop our fun on an exquisite day, if cut short by my bum foot, et al. I wore my camera around my neck to shoot the landscape as it is now, because it will look very different in only a few days; I managed to catch a single beautiful moment between Scout and The Chef, who despite his mild manners and generosity with tender, steaming bits of succulent chicken and fish, remains Tall And Scary to tawny little doggies.
Vermont spring, thou dost vex, but we are so glad you’re finally here.
For years growing up I believed the Edgar Allan Poe short story “Murders in the Rue Morgue” was in fact Murders-in-the-Room Org. I knew of it only because my mom loved to wax poetic about the 1930s horror film based on it. I imagined a bloody scene in a bedroom ruled by a wrinkly, club-wielding creature: in my immature mind’s eye he looked a little like an illustration from an early childhood tome of the bridge troll in “The Three Billy Goats Gruff.” While the movie sounded deliciously terrifying, my psyche was as yet tender and I was not keen to witness that kind of carnage on a screen.
Another memorable mix-up came from the father of my mom’s closest childhood friend, who loved to evoke a mystery character from his own past named “Fyeshadye.” Turns out we all knew Fyeshadye from a familiar childhood prayer:
Now I lay me down to sleep/I pray the Lord my soul to keep/Fyeshadye before I wake/I pray the Lord my soul to take
Fyeshadye’s creator and I were in good company, it would seem: the endearing Mr. Tumnus—inhabitant of Narnia, an invention of one C.S. Lewis—mistook the character Lucy’s provenance as Spare Oom, a delightful take on the “spare room” whence Lucy had stumbled from the wardrobe into Narnia.
In music this phenomenon is known as a mondegreen, a mishearing of a lyric that results in a comical misinterpretation of it. In 1988, “Bloom County” cartoonist Berkeley Breathed skewered presidential candidates Michael Dukakis and George H. W. Bush in a caricature showing each one’s take on the lyrics from “Louie Louie,” the Kingsmen’s 1963 party standard (you can imagine). Funnier still, though, was Bloom County character Bill D. Cat’s rendition of the lyrics, as follows (cue the familiar dah-dah-dah/dah-dah organ intro):
Louie Lou-i, ne ga go
Louie Lou-i, ne ga go
Ee fi li curl way fra nee
Ee cat-ta shi fo kra-see
Ne sait a shi auuuu lome
Ee newa fwo ma-make I ome
Ree nie (garbled) ail zee
Me tink (garbled) ee (garbled)
(garbled) dwee Li’l Friskies
Have any of these mondegreenian misinterpretations stuck in our language permanently through time? Writing about mondegreens in this New Yorker.com piece, Maria Konnikova submits they surely have (and don’t call me Shirley). It’s worth a gander if the evolution of the mother tongue interests you at all.
I started down the mondegreen road after listening to a clip of Terry Gross’s interview with Merriam Webster editor Kory Stamper. What caught my ear was Stamper’s account of eavesdropping on her teenage daughter chatting with friends in the back seat of the car, talking in truncated cyber language the way teenagers do these days. In one example Stamper referenced the “A-F” usage that has come into common parlance as a modern-day vulgarity. (For the uninitiated, it’s a stand-in for “as f**k,” for example, We were hungry as f**k—it lacks imagination to be sure, as most vulgarities do, but you’d be hard pressed to find a contemporary American teen who does not use it, and I’ve come to prefer it over hearing the actual f-bomb.) Over time, Stamper observed, these kids further truncated “A-F” to simply, “affe” (pronounced like the second syllable of giraffe). Thus, We were hungry affe. Its fate as a future entry in Merriam Webster, perhaps, rests with Ms. Stamper.
I have been at the wheel of that carpooling car, also eavesdropping with interest. Nor has my fascination with this linguistic evolution ended in my post-parenting years: my own Millennial kid still introduces me to all kinds of stylized and acrobatic language at the other end of the thousand miles that separate us. Much of it eludes me until I ask, although I try to parse through it first to see if I can figure it out. One of my favorites is the phenomenon of pressing a noun into service as an intransitive verb. On a recent Sunday morning I explained I could not video chat with him because I was headed out the door to yoga. He messaged back, “Who TF yogas at 9:30 on Sunday morning?” This example includes still another iteration of the “A-F” vulgarity (using “the” in place of “as”), along with the noun “yoga” now morphing into an action word.
A more common evolution is the smooshing together of words, a phenomenon I struggle with professionally all the time. A case in point: am I a copy editor, or a copyeditor? Depends whom you ask. My copywriting colleagues ask me these kinds of questions all the time, and more often than not I have to survey the opinions out there in the ether before I settle on an answer. Call it verbal co-dependence if you will—one yearns for rules and directions, but often none exists. One thing is certain: our language is a living, breathing thing. And what logophile among us would not love a peek at the condition of the King’s English a hundred years hence?
I leave you with the actual lyrics to “Louie Louie” as written by R. Berry in 1955, along with the Kingsmen’s 1963 recording. And I defy you to recognize these words when you hear them:
Louie Louie, me gotta go
Louie Louie, me gotta go
Fine little girl she waits for me
Me catch the ship for cross the sea
Me sail the ship all alone
Me never thinks me make it home
Three nights and days me sail the sea
Me think of girl constantly
On the ship I dream she there
I smell the rose in her hair
(chorus, guitar solo)
Me see Jamaica moon above
It won’t be long, me see my love
I take her in my arms and then
Me tell her I never leave again