Niko left us with about eight inches of snow on Thursday, Orson’s knocking at the door right now: we expect him to gift us with ten to twelve or so inches. Yesterday Scout—with shiny, new off-leash privileges—took advantage of the calm between the storms.
Scout was mainly charming at work all last week, save his single throaty warning growl misdirected at the company CEO. He was walking towards us with a scary cardboard box, though, so you can imagine. Still, Scout was patient through long hours of copy writing and editing, and for that he was rewarded with a romp—the second in a single week—at the top of the world, better known as the Mile Around Woods. I used the panorama function on my iPhone to try to capture the view; it scarcely does justice to that breathtaking vista here in the southwestern corner of Vermont.
However patient is sweet Scout, I am the opposite. At the top of the world, I have a chance to reflect some about that particular character flaw, and to ponder other great questions of the universe, which I did on Friday.
In seventh grade I developed my own font; there are no surviving examples to show here, but imagine the stylized, glowing scroll inside Tolkien’s celebrated ring, change it to swirling English runes, and you’ll have a close approximation in your mind’s eye. I worked tirelessly on that font in my social studies class whilst the teacher droned on impassively about nothing at all. A kid who sat next to me tried to copy it. I hated he was doing it, but could not stop him. One day I finally spoke up, because he was getting it All Wrong: let me just show you, I implored him, because you are ruining it. Encouraged by this intervention, he asked me to write out the entire alphabet for him in my font.
At home I painstakingly created a master list of upper- and lowercase letters: if somebody was copying my work, they better get it damn close to how it was supposed to be, went my thinking. I was keenly interested in showing him how, even if I’d rather yank the silly pen out of his hand and just do it for him. Patience.
More patient as an adult, I discovered teaching came naturally to me when I opened my small ballet school in Knoxville. Sitting in pedagogy classes at American Ballet Theatre’s Jacqueline Kennedy Onassis School, I also discovered my beloved mentor possessed the same sensibility about getting things right, whether he was talking about executing a movement, correcting a student, or using the correct terminology.
Terminology. That resonated with the wordsmith in me. Don’t agonize over it, he said, if you’ve been calling a movement this for years, when you should have been calling it that. But he emphasized at least knowing the correct language, often with the accompanying subtext of how a position or movement came to be called what it is to begin with.
One of my favorite examples is the term passé versus the term retiré. Many ballet teachers mean this position when they say “passé:”
Strictly speaking, it means “passed” or “passing” in French (the infinitive form is passer, meaning “to pass”). This denotes movement, in this case movement of the foot from the front of the knee to the back or from the back to the front. But when you’re simply talking about the position of the leg at the front, the back, or even the side of the knee, you really mean retiré, which means “withdrawn:” the foot is withdrawn from a position on the floor and is now placed at the knee of the standing leg. (If anybody in the ballet world is reading these words, they’re rolling their eyes about now.) It’s really just semantics, as they say.
Does it really matter? Practically speaking, no. Ballet teachers, dancers, and choreographers will go on saying passé when what they really meant to say was retiré, and the world will keep on pirouette-ing on its axis (and by the way, pirouetter means to spin, and tourner means to turn, in case you’re interested). But I liked telling the story to my young students , and nowadays I like telling it to anybody who will listen.
In my work as a copyeditor I sometimes feel pulled to wear my teacher’s hat again, but mainly can’t in the interest of time: the goal in a marketing agency is to roll out the strongest possible content in the voice a client wants and hand it to them as quickly as possible—there’s really no time to dawdle. Sometimes I make copyedits a writer never sees, other times I make a suggestion and leave it to the writer to fix the copy, but occasionally feel the need to explain why I’m making a particular change.
Lately we’ve had some lively discussions at work about modern writing conventions, about using language that’s not technically correct but “sounds” better in print than what is correct, because it flows more naturally, as it might if you were simply talking to somebody over coffee. I’m okay with this most of the time, especially if it makes a client happy, but also because absolute propriety in language is just plain silly in some contexts.
Other times language is downright sloppy; comma placement seems to rear its head on many of these occasions. I found this example yesterday when I was rummaging through the bathroom cabinet:
I’m a huge fan of the Oxford comma (more eye rolling) because in most cases it clarifies the meaning of a sentence and saves the reader needing to read it twice. But in the Band-Aid box example, there’s also a missing comma. As written, we’re to think applying a bandage will clean our dry skin: placing a comma after the word “clean” takes away any mandate to scrub and instead tells us where to stick it. (Not sure what’s going on with all that capitalization; it bothers me, too.)
There are other spots where a comma is called for, and so I have added them in red:
Does it matter? Nah. Everybody on the planet knows how to use a Band-Aid. Am I both an obnoxious and an impatient editor? Most assuredly.
I leave you with this scene from one of my favorite kid movies, because impatient Woody and I are kindred spirits, and because it’s fun.
Winter was kind enough last week to gift us its annual January thaw, which means the schmutz on the ground—an unpleasant casserole of crusty, gritty snow with a menacing bottom layer of ice—retreated obediently into atmosphere and earth. We have frost heaves already, a phenomenon more typical in early spring. Extreme cold temperatures arrived in December, followed by thawing, and then more cold, and more thawing. You should see our back yard right now: if you didn’t know better you might suspect a bustling community of Hobbits thrives there, creating urban sprawl in every direction, its massive network of tunnels and trenches stretching into the woods willy-nilly without the slightest regard for a plan. You’ll twist an ankle on the peaks and valleys in the darkness. Hobbits.
But January thaw also means mini mud season and messy dog walking. Friday and Saturday the temperatures plummeted, leaving frozen tundra in their wake—perfect for dog walking, nay, running. Yesterday Scout and I had our first real run, a couple of miles in bracing twenty-something-degree air. I had enough sense to quit before anything was torn, pulled, or otherwise damaged. Scout showed me a glimpse of who he really is, the dog inside him, the dog who yearns to play. In a single comical, cartoon-like moment he sprinted ahead of me on his 20-foot lead with so much zeal he face- and shoulder-planted directly into the frosty ground when he reached the end of it. Not to worry, he said, bouncing up and sprinting back again, play gesturing right and left, running in tight circles around me before we continued on our way.
Home again, Scout retreated to the safety of his quiet demeanor, his Boo Radley-like shy ways, but the jig is up: now I know what’s coming ultimately, and it is joyous.
Yesterday I felt like making soup, inspired by the season. That got me thinking about a particular soup, one that was handed to me in a pickle jar across the threshold of my erstwhile home in Tennessee. The young woman standing there with two little people peeking around from behind her explained it was still warm, but not too hot to handle. She also handed me a loaf of bread.
A few weeks earlier, in the late summer of 2006 but also the official start of fall term at my small ballet school, she’d enrolled her tiny and beautiful six-year-old daughter, who looked for all the world like a ballerina in the make. The child sprouted goosebumps and shivered at the start of her first-ever ballet class; when I later mentioned this to her mom she explained their small apartment was not air-conditioned, so her children were unaccustomed to refrigerated air—this happens all the time, she reassured me.
We chatted for a long while that day, this sinewy, athletic woman narrating her family’s journey to Knoxville, her background in Outward Bound programs, her husband’s postdoctoral fellowship in medical ethics at the University of Tennessee, conceding that they were only passing through ’til he finished. Eventually we would go on to talk about ballet schools in the Pacific Northwest where they expected to land, in case her daughter decided she wanted to continue her ballet classes.
Turns out we were neighbors. They lived in a groovy little mid-century modern apartment complex in the same historic neighborhood where I lived with my family; but whatever charm that building possessed—a building that housed many other families of their ilk—it lacked in amenities. If nothing else, it was most assuredly affordable, and its location was ideal for university folk.
Not only did we live in the same neighborhood, we lived on the same street separated by just three blocks. Hence the front door soup delivery, a gesture of kindness on an afternoon when I cancelled classes because a virus had left me hacking and coughing and without a teaching voice. This is the soup I always make when one of us gets sick, she explained.
Later when I was sharing the story of this woman’s charity with a mutual friend, she opined, Oh, yes: she is wonderful, and she really knows how to stretch a dollar. The memory of that remark has nudged me through the worst of times, evoking a skill my own mom fostered in me during some thin years growing up under her roof.
HCB and I have practiced dollar stretching, doing without extras, making things work these last four years. He put a three-dollar chicken in the oven yesterday morning; some of the meat would go into the soup I planned to make later in the day, the rest into the fridge. The carcass would serve as the foundation for made-from-scratch stock which boiled down on the stove all day yesterday, encouraging a certain dog to wander around with his nose pointed skyward—that, and the tender bits of just-roasted chicken he was hand fed earlier, still hopeful for manna from heaven. (Life is indeed good.)
The stock would become soup together with whole coconut milk, fresh lime juice, red pepper flakes, cilantro, green onion, and seasoning: precisely the same soup a huge-hearted mother of two handed me on a summer’s day ten years ago in Knoxville, called again into service on a winter’s day in Vermont, and for pennies. Dollar stretched, check.
The magical recipe, a blessing in disguise, is scrawled on a small index card in a frugal mom’s hand, held fast to the door of our fridge by magnet, dog-eared and stained. In short, the soup is amazing. Every time I make it I think of that family and I swear I still feel the love. Hope they are doing well, wherever they are.
Some people claim they don’t need a special calendar day or a personal milestone to turn a new leaf, they can do it any time. I don’t possess the self-discipline for that: positive change comes to me on occasional birthdays or after emotionally significant events, mainly. For the time being New Year’s Day will do.
A friend and I once stood in the kitchen of her big, old Southern home with one eye on our boy toddlers as they scurried around and fired finger weapons at each other. She asked what I planned to do after mine no longer demanded every waking moment of my day. “I’m taking up golf,” she quipped. I could not tell whether she was serious or joking: this particular friend did not strike me as the kind of person who’d choose golf as a post-mommying avocation. She had a beautiful new baby grand sitting in her living room; it might have been for show as so many are, except she was also an accomplished pianist in another life. “You should take up the piano,” I said, only half joking. She grinned.
Our unspoken words went something like, it’s funny how much of ourselves we’ve given up for the privilege of full-time parenting these children.
I could not have known at that moment how in a few short years events in my life would reconnect me with my own performing arts past, how life would hand me rich and varied and terrifying and wonderful and tragic and deprived and fulfilled chapters, still in the make.
When I moved to Vermont just over four years ago I didn’t have an inkling how bad things would get for me, and soon after for my beloved Clarence-the-Canine, but remained as optimistic as my character would allow. I knew winters would be rough, had no idea how rough, and discovered over the course of four of them I’m not really up for the challenge. I also discovered how many privileges I’d taken for granted when I lived down South. And I didn’t realize how difficult it’d be to find connections. Nor how simple to find the most important one of all. I discovered people here are the same as the people there, with a couple of caveats.
I also underestimated my own grit and determination.
Last year was difficult, although I don’t need to tear out my hair and thrash and wail about it. I was grumpy and will keep on being grumpy ‘til a few promising new sentences unfold. At least give me my grumpiness in the winter. I’m still hopeful for 2017.
I feel about as bad physically as I ever have; it’s time for sanctions. I’m a little worn down emotionally, too: being bitten in the face by an anxious shepherd was harder to process than I imagined. I want to feel better in 2017, starting now.
I’ve missed spending time outside, a thing every dog demands. Thank the universe for Scout-the-Lab, a good dog with a remarkable disposition, who’s already blown that whistle: more heart-thumping time outside in 2017.
I’ve written more in the last year than ever; some of it was good, some not so much. I want 2017 to be the best year of writing thus far, with new outlets for writing.
Time, resources, and circumstances have made it difficult to assuage my culinary passions, as silly as that sounds coming from somebody who lives with a chef. I want to reconnect to the kitchen in 2017.
I feel called to help somebody who needs it; I hope Scout and I will undertake this together in 2017.
I’ve found beauty through the lens of my camera; I want 2017 to show me more.
I enjoyed an unexpected and happy reconnection recently with a beloved mentor I haven’t seen in a couple of years. I want to stay connected with people important to me in 2017.
I also want to practice civility in 2017, and hope the rest of the world will too, but most especially my fellow Americans. We can’t afford not to be civil to one another, especially now.
Come on, winter: let’s get it done. Let’s turn over a new leaf in 2017.
It’s tough on Tennesseans. And Texans. I remember the first time the mercury dipped below zero when I was living in my first home here, my delicious little lakeside cottage in Vermont’s exquisite Upper Valley: I recall the first time I felt pain when I tiptoed outside, the first time I heard my shepherd Clarence-the-Canine cry out when he stepped on frozen, spiky snow in our front yard (on with the shoes, sorry they make you feel silly—better than busting open a pad). We’ve already felt that kind of cold with winter not yet officially arrived. Feels too soon to me; mercifully, it never seems to last long—the cold that is. As for the other unmentionable, Vermont feels distinctly how C. S. Lewis might call it along about March: always winter, never Christmas.
I digress. Three nights ago I awoke to loud, percussive popping, like shotgun blasts too close. It took my foggy brain a while to decipher the noise and calm down, or at least not worry too much about it, the unmistakable sound of our wood deck boards outside in the cold, shrinking, shifting, sliding around in protest against nails that fastened them in place on a much warmer day. That kind of cold demands respect, nine-below-zero cold, the kind that can split boards, or damage warm-blooded membranes and stiffen sinew in seconds; my joints had been trying to warn me it was coming for a while. Here is a bit of wisdom that belongs in a primer for Vermont pilgrims: do not worry too much about the explosions when it’s nine below (or colder); you probably won’t die.
Meanwhile the unworried person beside me slept deeply and peacefully, but I could not. Instead I lay awake and listened to the blasts spaced sometimes at long intervals, other times coming close together, and worried about another creature of slight build and tawny hair, doubtless also awake downstairs, a Texas dog who’d have to face the music outside in a few short hours.
This will be a new and perhaps painful experience for you, Scout, as it was for Clarence before you, and for me, I thought. I made a mental inventory of supplies to track down in the coming days, used my worry to get a fix on some coordinates: Clarence’s old shoes are in the plastic bin, I think—will they fit Scout? Will he trust me enough to let me fiddle with his feet? I replayed the warning on last night’s news: in cold like this, don’t let your pup stay outdoors any longer than it takes to warm up your car. Five minutes.
What if I can’t get the shoes on him? I flipped through old, dog-eared folders in my head overflowing with nuggets and tidbits, things I’ve needed at one time or another in my professional life as a copywriter and later filed under “Archives.” What was it about Labrador feet? Some kind of webbing that makes them adept in the snow? Or was it water? Or was that another kind of dog? Wait, the vet had only just said Scout looked more Chessie than Lab to her. Do they have the same kind of webbing?
Five minutes? How can I explain this to my dog? Or my car?
However perilous a picture the mind (my mind) can paint lying awake in the darkness before dawn, it is never that bad. Scout did consent to the shoes for our first, brutal walk in the very early morning, but objected to them shortly after we launched. By the time we came back inside he was wearing only one shoe, the other three spilling out of my coat pocket. Scout did his doings in about fifteen minutes and seemed none the worse for wear, while all around us the sound of baying neighbor dogs, seasoned Vermont dogs, resonated in the frozen woods. Just before we navigated our way to the path that leads once again to the safety of the cottage, Scout made a quick diversion, took a side trip in the snow, rolling around joyously on his back, ears aflop, tail awag. Nine below is but a number, he insists as he lies there grinning at me. But okay we’ll go in, he finally concedes, standing again on all fours, shaking the snow from his coat and licking bits of it from his smiley whiskers.
Our little house looks inviting from the street with warm lights glowing through its windows in the darkness; inside the stairs have separated ever so slightly from the pretty slate landing while the house tries to shake off the cold.
Nine below, I had almost forgotten your beauty: you make twenty degrees and sunshine feel divine.
scoutverb | \’skau̇t\ – to explore an area to obtain information; noun – one sent to obtain information
Saturday morning came early, bitterly cold and windy, but clear; we’d practically forgotten how the sun looked. We stood squinting and shivering in a nondescript outlet mall parking lot with many other hopeful families, waiting, waiting, waiting for the white transport van from Texas that would arrive any moment and deliver to us our travel-weary companions, canine refugees of sorts: Labs and Lab mixes, puppies and adolescents and adults, on the road for 2000 long miles, soon to be discharged into the loving arms of happy, silent humans (and a few pint-size noisy ones)—happy dogs, silent dogs (a few barking dogs), bewildered dogs. Some were practically home when they were carried or walked off the van, others had miles yet to go.
Scout is a good name for a yellow Lab mix: it also happens to be the name of one of my favorite literary figures. Scout is a worthwhile verb, one that promises adventure and excitement, but best of all, Scout is a noun and he is ours. So let’s try this again, with belly rubs and other indulgences, but mainly plenty of quiet time to adjust.
And what an adjustment: from Texas to Vermont, where Scout arrives at the precise moment the first genuine cold snap of the season rolls in. A light layer of snow from the last small weather event still frosts the landscape in these parts, but tomorrow we’ll awaken to a winter wonderland—a trial by snow for Scout, if you will: if the weather gods get it right, he’ll be in it up to his elbows our first time outside in the morning.
Today there is filtered sunshine, no wind, and a neighborhood to explore. This evening there will be still another human to meet, more tweaking, realigning, settling, obtaining information: the ice maker dumps with a clatter at regular intervals (what is ice?); fresh vegetables sizzle and sputter loudly in a hot sauté pan (only good can come of this), a capricious heater cycles on and off (it is not to be trusted, but the warmth radiating from it feels exquisite), and a mystifying cacophony wafts up spiral stairs from the basement in unpredictable outbursts (more data needed). And outside? Outside are creatures busy under the snow, beneath layers of spent foliage, in a network of tunnels under Vermont’s rocky soil—and they can be heard, or maybe smelt, occupying a keen canine noggin with a fervor that makes him forget the cold, if only for a moment.
Meanwhile we humans are obtaining a little information of our own: what are these floppy ears? What is this short hair? What is this impossibly affectionate demeanor? What is this polite compliance with human wishes? Welcome home Scout. We have but one simple message we shall try to convey in your own language: we already love you like crazy.