So, so many material belongings that came with me to Vermont all the way from Tennessee have waited patiently in storage for the last three years: things David and I considered nonessential when we combined two households three years ago, the year I started writing and editing professionally full time for a marketing agency. But in our tiny mountain rental there was scarcely room for his things and mine, leftovers from our failed marriages, to say nothing of our landlord’s things: that’s furniture and belongings from three families squished into one minuscule living space. Add 2.5 humans and eventually a dog, and as Eloise would say, you can imagine….
Unearthing those stashed-away belongings is joyous and even a tad miraculous: the hand-blown Mexican Tom Collins glasses in perfect condition still, the pair of pilsners my dad gave me when I first stepped into adult shoes (they were his in college, each one bearing an etched ‘UT’ indicating his alma mater and then mine, but the ‘U’ in truth looks more like a ‘V’ and so they could be more appropriately ‘VT’ glasses now), framed art that has not seen the light of day in years, and how about wine chilling vessels of various sorts (here is one in terra cotta, another in pewter). Linens washed, folded, and carefully stored; they still smell fresh and clean, somehow. A nifty magazine rack I bought for the ballet school and that looks like the front of a gym locker, retained because I have a hard time letting go sometimes, and anyway I gave away or sold most everything else. Forgotten bottles of fancy lotions and creams (by some miracle, they all seem fine so far). Candles and more candles, and the pretty platform-style holders I bought for some occasion or other in my previous life, and look—here is a box full of flower vases.
Fresh cut flowers: a thing I mercilessly snipped out of my living budget right after I landed on Vermont soil, a self-imposed austerity measure if you wish, when I realized how bleak my financial horizon, an outlook dramatically different from the one for which I’d so painstakingly planned in the weeks and months leading to my big Tennessee farewell. In a life of privilege down South I never thought twice about buying flowers—of course one brought home fresh flowers every week to arrange carefully in an oversized vase on the big harvest table in the kitchen, and maybe also to place in a couple of the ancient, generously proportioned windowsills under the lovely (if a bit creaky) casement windows, maybe a tiny few flowers pulled out of a bigger arrangement for a bud vase in the kitchen window, another upstairs. Of course.
And now those things, all that glassware, some precious children’s books I’ll keep forever, exquisite artwork—‘high’ art and plain old sentimental art, even a few small appliances I’d quite forgotten—all of it is unpacked, washed, and put away neatly, or schlepped down to the basement or up to the attic to go through when time allows (an attic! Christmas things now organized and stored ‘til next December!), or arranged carefully on one side of the garage until we have a warm spell and a little bit of muscle to help us carry in a pair of weighty cedar chests, one old chest of drawers, a stationary bike, an important grandfather clock, and a few more boxes of things.
All of it suggests a hopeful life at least, if not a beautiful life; I applaud my own optimism. I remember the turmoil and anxiety that came with me here. But clearly even with all that I intended to make the most of it, come what may. The thing is, all these things, these pilsner glasses and linens and books and vases—they all matter, because in each of them is hope, and not for only surviving, but for thriving.
Life in these parts can be rough, and winter especially cruel and difficult, for even those with resources. For others the struggle is abundantly clear, and some simply give up—you can see it, worn on the back like ill-fitting clothing. To those folks, and to others, I send up supplications for hope: for clean curtains that still let in the ephemeral Vermont winter light; for art with the power to jettison one to a distant horizon, if only for a moment; for good reading; for the love and camaraderie of someone who understands; and for a belly full of nourishment. And come spring, that confounding and most elusive of all Vermontish seasons, for fresh, fragrant flowers. Of course.